Review From User :

Actually, I've read this book twice, the first time when I was in high school. Reading it again after some thirty years, I was amazed at the amount of meaning I'd missed the first time!

Most modern readers don't realize (and certainly aren't taught in school) that Hawthorne --as his fiction, essays and journals make clear-- was a strong Christian, though he steadfastly refused to join a denomination; and here his central subject is the central subject of the Christian gospel: sin's guilt and forgiveness. (Unlike many moderns, Hawthorne doesn't regard Hester's adultery as perfectly okay and excusable --though he also doesn't regard it as an unforgivable sin.) But his faith was of a firmly Arminian sort; and as he makes abundantly clear, it's very hard for sinners mired in the opposite, Calvinist tradition to lay hold of repentance and redemption when their religious beliefs tell them they may not be among the pre-chosen "elect." (It's no accident that his setting is 17th-century New England --the heartland of an unadulterated, unquestioned Calvinism whose hold on people's minds was far more iron-clad than it had become in his day.) If you aren't put off by 19th-century diction, this book is a wonderful read, with its marvelous symbolism and masterful evocation of the atmosphere of the setting (the occasional hints of the possibly supernatural add flavor to the whole like salt in a stew). Highly recommended!

For a hundred years, the people of Prairie Bend have whispered Nathaniel’s name in wonder and fear. Some say he is a folktale, created to frighten children on cold winter nights. Some swear he is a terrifying spirit returned to avenge the past. But soon… very soon… some will learn that Nathaniel lives still–that he is darkly, horrifyingly real. Nathaniel–he is the voice that calls to young Michael Hall across the prairie night… the voice that draws the boy into the shadowy depths of the old, crumbling, forbidden barn… that chanting, compelling voice he will follow faithfully beyond the edge of terror.

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