The Bloody Chamber and Other Stories

Review From User :


Angela Carter reveals the dark heart of the fairy story in these memorably quirky versions. She is able to intensify the mythic core of each of these tales, not by stripping them down to their essentials (the obvious way) but by using eccentric, illuminative detail expressed in individualistic prose.

Although these versions could be described as feminist and anti-patriarchal, such labels are too limiting for the fierce independence of Carter's intelligence. She is a writer who never shrinks from acknowledging the transformative power of sexual passion--even if the object of that passion be unworthy or evil, even if the passion itself be dark and destructive.

It is her frankness, her clarity and her art--not the adherence to any philosophical position--that make these tales so liberating, so powerful, such flawless examples of craftsmanship and style.


Angela Carter was a storytelling sorceress, the literary godmother of such contemporary masters of supernatural fiction as Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, and Kelly Link, who introduces this edition of Carter’s most celebrated book, published for the seventy-fifth anniversary of her birth.

In The Bloody Chamber – which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves – Carter spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.

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